The artistic practice of Big Hands (Andrea Ottomani) reshapes electronic music, operating adjacent to but detached from standard club tropes. Infusing dub philosophy into techno, free jazz, and psych-rock, he treats mixing desks and self-oscillating feedback as spatial instruments. Central to his work is radical, non-linear live improvisation—a ritual of real-time dubbing and processing of acoustic instruments and synths. Since 2023, his research includes a sonic cartography of his Mediterranean roots through archival percussive loops and soundscapes. Rooted in Deep Listening, his aesthetic celebrates raw human imperfection within a futuristic, organic framework.