Marco-Augusto Basso (1995) is an Italian researcher and artist, his interest is stimulated by the analysis of the relational implications between languages; his practice involves performance as a device for addressing the narrative dimensions of poetic imagery and investigates dramaturgy from a strategic point of view, both in terms of directing and writing, to which he links his musical practice. The composition is thought of as a constant evocation of images: these elements are manifested in the dichotomous aspects of sound, and their performativity ranges from the use of archives to live experimentation.